The Dark Lens

A Photography Blog

Showing posts with label outsource. Show all posts
Showing posts with label outsource. Show all posts

Friday, November 4, 2016

The cost of outsourcing

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Story here:  http://petapixel.com/2016/11/03/chicago-tribune-sun-times-covers-world-series/

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Posted by Jeff at 7:22 AM No comments:
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Labels: journalism, newspaper, outsource, professional
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Blog Archive

  • ▼  2018 (2)
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      • Book review: Finnegan, C. (2015). Making Photogra...
      • In China, people are never far away.
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Japanese Photography

  • Old Photos of Japan
  • Japan Exposures

Musical Accompaniment

  • Scott Hamilton & Dusko Goykovich: Second Time Around
  • Matti Cingalini: Adamas
  • Sébastien Chaumont Quartet - Still Walkin'
  • Steve Nelson: Sound Effect
  • Christian McBride Trio: Live at the Village Vanguard
  • S.E.N.S.: Natural - The Very Best of
  • Elemér Balázs Quintet: Always That Moment
  • Herlin Riley: New Direction
  • Bill Sample Trio: Small
  • Cory Weeds and Jeff Hamilton Trio: This Happy Madness
  • Tom Vincent Septet: TVS
  • Helle Lund Trio: Danske Årstidssange
  • Scott Hamilton & Jeff Hamilton Trio: Live
  • Eric Alexander: The Real Thing
  • Cyrus Chestnut: Soul Brother Cool
  • George Cables: In Good Company
  • Roy Hargrove: Earfood
  • The 14 Jazz Orchestra: Nothing Hard Is Ever Easy

Looking for

  • William Klein: Life is Good & Good for You in New York
  • William Klein: Tokyo 1961
  • Ikko Narahara: Japanesque
  • Nakahara Ikko: Where Time Has Stopped
  • Szarkowski & Yamagishi: New Japanese Photography
  • Kageyama Koyo 影山光洋: 日本の写真家〈14〉
  • 木村 伊兵衛 Kimura Ihei: 東京一九四五年・秋) / Tokyo: Fall of 1945
  • Kineo Kuwabara: Tōkyō Shitamachi 1930 (東京下町1930, Downtown Tokyo 1930)
  • Masao Horino: Camera, Eye x Iron, Construction (カメラ・眼×鉄・構成)
  • Glorify the Empire: Japanese Avant-garde Propaganda in Manchukuo
  • Hakuyō Fuchikami to Manshū Shashin Sakka Kyōkai (淵上白陽と満洲写真作家協会)
  • Ina Nobuo "Return to Photography"
  • Yasuzo Nojima and Lady's camera club in 1930's

Search This Blog
[The photographer's] camera is a dark room, and he has made a dark place in his mind, exultant and fearful, by which he accepts that he does not know what he is going to see, he does not know the next picture. He has entered into the darkness—in order to see! But for the moment the dark lens holds only a vague potency, like a lentil seed, still one with the mystery if what will come next, which is one with the mystery of the wilderness and of the creation.

William Berry
The Unforeseen Wilderness

Photographs

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Photographers

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