Turner, P. (2012). A Field Guide for the Contemplative Photographer. 1st ed. [ebook] Denmark, Maine, USA.
This 46-page book looks in its electronic version more like a Power Point presentation. Each page is an image, a quote, or bulleted text. As such, it's quite easy to read, so perhaps it fulfills its function as a field guide reference.
What might you refer to? Turner's approach is weighted toward process rather than product, of using photography as a means of exploration, both of the subject and the photographer. Minor White seems to have been a major influence, but no specific religious or philosophical orientation is revealed. Her method involves equipping the mind to engage with the photographic subject: sitting quietly, relaxing the mind to prepare it to receive. The contemplative photographer does not take photographs or shoot images, but waits respectfully for the subject to reveal itself. To engage in this process, the photographer must be prepared to put aside expectations, as well as figuratively and literally to take back roads and lose his or her way. The book is illustrated with several of Turner's dramatic landscape images, and the text with examples from the practice of landscape photography. The same principles could presumably be applied to other genres with some modification. While Turner's ideas are worthy of exploration, she offers little in the way of guidance about how one might start out along the way, surprising for someone who was a professional educator for three decades.
Showing posts with label landscape. Show all posts
Showing posts with label landscape. Show all posts
Wednesday, March 9, 2016
Saturday, February 20, 2016
Book review: Sella, V. and Adams, A. (1999). Summit.
Sella, V. and Adams, A. (1999). Summit. New York: Aperture.If I collected photobooks, I would buy this.
It features what are perhaps the earliest and certainly most sublime photographs of the upper reaches of our planet ever made. The images are even more remarkable given they were produced between 1879 and 1909 with heavy camera equipment on glass plate negatives. Imagine hauling that kind of gear into the Alps, the Himalaya, the Caucasus, Alaska, and the Rwenzori, all locations documented in this collection.
I have read quite a bit in photographic history, but I didn’t run into Sella until finding a reference in The Ghost of Freedom, an introductory history of the Caucasus (quite a good read, for those that might be interested in more about that corner of the world). Looking at this collection of images, it's difficult to imagine why Sella has been so largely ignored. Not only was he the first to document many of these environments, but he did so with great technical skill and aesthetic sensitivity.
Wednesday, February 3, 2016
19th century mountaineer and photographer Vittorio Sella
In anticipation of my March trip to Georgia, I've been reading on the Caucasus and today ran into the work of Vittorio Sella. It appears he is most well-know for his mountain landscapes and the published books appear to be devoted to just this. Of more interest are his ethnographic images of villages and village life.
More on Sella:
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