Showing posts with label Japan cinema. Show all posts
Showing posts with label Japan cinema. Show all posts

Thursday, July 13, 2017

Exhibit Review: Nihon Eiga: The History of Japanese Film, Tokyo, Japan

Nihon Eiga: The History of Japanese Film
National Film Center, Tokyo

Nihon Eiga is a permanent exhibit featuring a small portion of the National Film Center’s large collection of film artifacts, such things as posters, scripts, still images, camera equipment, and props. Like many Japanese spaces, the area is small but used to good effect by layering and stacking.  There is very little unused wall or floor space.  Material is organized chronologically beginning with visual storytelling before the arrival of film and continuing on through to a final section on animation. Throughout there are small video screens displaying clips of historically relevant films.  During my weekday visit, I saw only three other guests and had no difficulty availing myself of several of the available stools, a nice to chance to relax while also enjoying parts of the display.  Japanese cinephiles are sure to find some mention of their personal favorites here, though there may be only one or two items per person.  Kurosawa, for example, probably Japan’s best known director to audiences outside Japan, is represented by costume sketches for Dodeskaden and a scrapbook of production stills of Ikiru collected by its star, Shimura Takashi.  Among the other items of interest was an original script of Tokyo Story, a collection of personal items of Tanaka Kinuyo, and the original puppets in the 1964 production of Rudolph the Red-nosed Reindeer.  The Center also has a regular screening schedule, often centered around a director, actor, genre or theme.

Tuesday, January 19, 2016

Film: Meshi, Naruse dir, 1951







It was an interesting film until the last five minutes.

Setsuko Hara and the changing face of Japanese womanhood

http://tinyurl.com/hj9p2tg

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Saturday, January 16, 2016

Film: Maihime, Naruse dir, 1951


Perhaps the most "literate" film I've yet seen by Naruse.  I'm sure the book (based on the novel by future Nobel Prize-winner Yasunari Kawabata) must be better.  His follow-up film (Meshi) explores some of the same themes and uses some of the same actors, at least one in an identical role (the male love interest waiting patiently for the female lead).

This line came from out of the blue, wasn't developed further,and doesn't much connect with anything in Naruse's previous work.

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